Chromatic Restraint
An exploration of limited palettes, monochrome, and the power of color restraint. This theme challenges artists to convey depth, emotion, and narrative through a severe reduction of color.
Exhibition Dates: JUL 10 - AUG 28, 2026
Current Exhibition
Chromatic Restraint
July 10 - Aug 28, 2026
Our current artists: Whitney Beechie, Abigail Ekue, Jennifer Ewing, Mary Beth King, Benjamin Murphy, Jessica Nash, Lenville O'Donnell, Cynthia Patschke, Nadja Leone, Juliet Shen, Angelina Tolentino, Melissa Llamas, Sony Purba, Sara Everett, Andie DeRoux, Hiba Jameel, Jyotsna Ambarukhana, Neha Panicker, Judy Hsu, Dozfy, and Ranou Ye
Discover Post Contemporary Art in Seattle
Our carefully curated collection spans the complete spectrum of artistic expression: painting, photography, sculpture, mixed-media, new media, and artisan wares. Each piece in our Seattle contemporary art gallery is selected for its authenticity, social relevance, and material innovation, qualities that resonate deeply with today’s conscious collectors.
We believe art should reflect the world we live in while pushing boundaries and challenging perspectives. That’s why we prioritize works by diverse and underrepresented artists whose voices deserve to be heard and celebrated. From thought-provoking installations to stunning visual narratives, every piece tells a story that matters.
New Space, Same Heart
SlipStitch has a new address. The move to Georgetown is a strategic repositioning, not a reinvention. We’re guided by the same belief: art as purpose, not product.
We have the same rigor, the same commitment to work that lives in the in-between. Different neighborhood, same heart in the arts... if not better.
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SLIPSTITCH
6107 13th Avenue S (Georgetown) Seattle, WA 98108
Artists Roster
Meet the artists currently working with SlipStitch
Art as Investment
Building Your Collection
For mid-to-late millennials entering the world of art collecting, SlipStitch offers an accessible entry point into meaningful art investment. Unlike mass-produced décor, the works we represent are created by emerging artists whose careers are on an upward trajectory; meaning the pieces you acquire today are expected to appreciate significantly over time.
Investing in post contemporary art isn’t just about financial returns; it’s about supporting diverse artists, preserving cultural narratives, and owning pieces that align with your values. Our client-centric approach means we take time to understand your
aesthetic preferences, budget, and collecting goals, ensuring every acquisition feels right for your space and your future.
Many of our collectors start with smaller works and gradually build comprehensive collections that tell their own unique stories. We’re here to guide you through every step of that journey, from understanding provenance and authenticity to caring for your investment pieces.
More than a land acknowledgement....
This neighborhood sits in the Duwamish River valley, a place shaped by industry, migration, and survival. The history people often hear is about friction between the Duwamish Tribe (“People of the Inside”) and early white settlement. But the Georgetown/Duwamish Valley story is also about what happened next: the river became Seattle’s industrial backbone, and the same corridor became home to waves of immigrant and refugee communities (Chinese, Filipino, Japanese, Vietnamese, East African, Latinx, and more) because it was where work was, where housing was more affordable, and where people could build new lives.
That overlap matters, because it means this is shared ground in a real way. It’s shared labor history. Shared displacement. Shared organizing. And today, it’s shared environmental reality: the Duwamish River is a federal Superfund site, and the impacts don’t land evenly. Indigenous communities and low-income immigrant communities especially Asian and Pacific Islander elders who fish the river for subsistence have had to carry the health risks of pollution while also doing the work of advocacy, education, and cleanup. In other words: this place holds both harm and resilience, and it’s still unfolding.
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SlipStitch’s mission, "Rooted in community, powered by art" is our way of showing up inside that living history. We’re not interested in a land acknowledgement that stops at words. We’re interested in preservation that looks like action: keeping stories visible, paying artists to tell them, and making space where culture can keep being made by AANHPI and BIPOC artists, by queer and immigrant communities, by neighbors who don’t always see themselves reflected in “arts spaces.”
Because culture doesn’t preserve itself automatically. It gets preserved when people have room to gather, make, share, and pass knowledge forward. Through exhibitions, public programs, and artist opportunities, SlipStitch treats art as a tool for memory and continuity—documenting what’s been erased, celebrating what’s endured, and building a legacy that belongs to the communities who shaped this corridor in the first place.